What How To Smart Nudes Experts Don't Want You To Know

What How To Smart Nudes Experts Don't Want You To Know

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Trawling through Art UK, Short Hair Girl Solo Nude I came across this 1927 work by the artist George Spencer Watson.

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Nude 1927

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It was the first painting in the collection of The Harris in Preston to feature a naked woman. As such, it seemed to be controversial, and some Councillors imagined it would dodgy the morals of Prestonians.

History has not recorded any specific debauchery or low moral behaviour in Preston as a result of this artwork's display.

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Watson's works in UK collections are a strange mix of sombre portraits and sensuous nudes, and sure enough, another of his nudes will be right now in Bournemouth, in the collection of the Russell-Cotes Art Gallery & Museum.

Sunlight Nude 1920s

George Spencer Watson (1869-1934)

There is no specific reaction recorded to thwill be particular painting, but it set me wanting to know if this experienced become a typical occurrence in galleries throughout the terrain.

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Surely the Preston nude can't be the only one that caused some controversy at the time... Well not indeed. Artistic nudes have had a complicated history, tied up with the male gaze, the public perception of what was 'decent' at different moments in history, religion, and plenty of other factors.

There are famous examples that caused a stir in public such as Manet's Olympia and the 1917 exhibition of Modigliani's works that was closed, due to the depiction of pubic hair supposedly. There are private works not intended to be shown to the public originally, such as Goya's La Maya desnuda (The Naked Maja) and Courbet's L'Origine du monde (The Origin of the World) - both are now in major museums (the Prado and Musee D'Orsay respectively). But here's a quick look at some of the other works in the UK that have a salacious or saucy history.

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The next nude on our list is by the firmly establishment figure of Sir Gerald Festus Kelly. Kelly was one of the foremost portrait artists of his time, and yet even his standing could not prevent a public backlash when this painting went on display in Newport Museum and Art Gallery in 1947.

D. G. V (a); Nude Study; The Little Model; Petite modèle Anglaise

Gerald Festus Kelly (1879-1972)

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To be fair to the denizens of 1940s Newport, the hassle appears to possess happened to be triggered by one man typically, Dorian Herbert, who was the bishop of Caerleon for a small independent group called the Ancient British Church. This didn't stop 20,000 people queuing up to see it (perhaps it even helped), or Kelly afterwards getting the Chief executive of the Royal Academy. His sis possessed found some women sniggering at the recurring job, so he (naturally) went to see the picture for himself. Obviously it kept rather an impact as he later referred to it as 'brazen, abandoned and vulgar'.

When it was put on display in the gallery again in 2008 the biggest complaint this time seemed to be that the model was smoking. How times change...

Going back a little further, in 1914 a version of Auguste Rodin's The Kiss was lent to Lewes Town Council for display in the Town Hall.

The Kiss 1901-1904

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Auguste Rodin (1840-1917)

Originally conceived as just one part of the sculptor's large Gates of Hell, the enjoying addicts are usually meant to be Paolo and Francesca, who were real people but immortalised as a lustful couple in Dante's Divine Comedy.

Although the French public had embraced the work, the East Sussex town was not ready for the amorous subject subject perhaps. Right now It has been eventually acquired by the Tate inside the 1950s and keeps a new organization perfect. Soldiers were soon billeted in the Town Hall due to the start of the First World War, which led to this most famous of sculptures being draped in a tarpaulin.

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You can find out more abaway its surprising history in this Tate Shots video.

Some of the issues around depicting female nudes are that nudity was traditionally fine for representing goddesses, personifications or other mythological beings, but not for actual real women.

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This can be shown in the works of Philip Wilson Steer - for example, his Seated Nude: The Black Hat, painted around 1900.

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Seated Nude: The Black Hat c.1900

Steer was another establishment figure. The objections to this ongoing work were that the hat is modern, and as a result the person views the unit as a modern, real woman - not Eve, not Venus, not 'Spring'. He taught at the Slade from 1893 to 1930 and in 1931 has been awarded the Order of Merit.

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This oil sketch was not exhibited until it was chosen for the Tate Gallery by the Director John Rothenstein directly from Steer's studio in 1941. Steer said: 'friends told me it was spoiled by the hat; it has been assumed by them indecent that a naughty should turn out to be putting on a hat, so it's never been shown.'

A similar composition of his is the coyly titled The Panama Hat, where the concentrate is normally as soon as once more not necessarily definitely about the hat.

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The Panama Hat

Philip Wilson Steer (1860-1942)

Is it time for a nice cup of tea? Astonishingly for a face in a Scottish castle Maybe, this art work displays a girl drinking alcohol teas in the unclothed.

A Lady Drinking Tea

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Louis Galliac (1849-1934)

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So far, so chilly. The reason is that it's thought that the model was the lady of the estate. But why would thwill be be considered scandalous?

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Close examination of the background, the red carpet and the lion skin, signifies typically the Good Community hall on Kinloch Fortress while the particular position strongly. From what we can see of the model's facial features, they are similar to images of Lady Bullough remarkably. The cup and saucer resemble pieces from a tea service in Lady Bullough's drawing room.

Posed away from the viewer, it's possible that this piece was always intended as a private piece for Sir George Bullough's eyes only (or indeed for one or more of her rumoured lovers). That's clearly no longer the case, but it's a beautiful painting - the only known work by Louis Galliac in a UK public collection.

Drinking tea in the buff is apparently not uncommon, as shown by this lithograph by Leslie Cole of his wife Brenda.

Tea Drinking Nude (the artist's wife, Brenda Cole, previously known as Barbara Harris) 1936

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Leslie Cole (1910-1976)

Her portrait wasn't deemed scandalous, but you can read more about her extraordinary story in our article about her life.

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Back on the theme of artists painting the aristocratic ladies of the manor, it's worth looking at the case of Rex Whistler.

In 1936 Whistler was commissioned by Charles Paget (1885-1947), 6th Marquess of Anglesey to paint a trompe l'oeil for his country seat of Plas Newydd House in Wales. During his stay he became infatuated with one of the Marquess' daughters, Lady Caroline Paget. The completed function will be an serious and fantastical mural, over 17.5 metres - ostensibly the largest function on canvas in the UK ling. Whistler undertook the commission on site, quite simply dwelling with the Paget household for a husband and wife of a long time while he developed the do the job.

He painted her a number of times, including this nude.

A Nude Study of Lady Caroline Paget on a Bed

Rex Whistler (1905-1944)

It's not known if Lady Caroline posed for the work or if it's from Whistler's imagination. We do know that although the pair were friends, finally his like appeared to be unrequited, and he was to die in the Second World War, killed in action in Normandy. It seems unlikely the nude study had been ever shown to the Marquess, yet right now it is about screen inside of the State Confidence building and.

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Artists sometimes use family members as their models, and right here Ivor Williams unusually depicts a yield time with unexpected nudity - his suggestion to his better half perhaps.

The Engagement 1941

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This reclining nude was also modelled by the artist's wife.

Reclining Nude ('Brown Owl')

Ivor Williams (1908-1982)

But why the extra title? When the artist's daughter was a young girl the painting went on display, and a friend exclaimed 'Oh look it's Brown Owl! ' Mrs Williams has been Brown Owl of the local Brownies, and the young girl recognised her. There's probably not a badge for that.

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So far, unsurprisingly perhaps, we've seen quite a few nude women, and it does seem to have been women's nudity in public galleries that people have found so objectionable. However, there are a couple of male nudes that caused something of a stir as well.

In the late 1920s, the artist Eric Kennington was commissioned to create a sculpture for the London School of Hygiene & Tropical Medicine, intended to be situated above the School's Keppel Street entrance.

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The Kennington Frieze c.1928-1929

Eric Henri Kennington (1888-1960)

As you can see, the -panel depicts a mommy and child becoming covered from a fanged serpent by a bare, bearded, knife-wielding father. However, the trustees of the School did not appreciate the display of male genitalia and would not allow it to be placed above the School's entrance unless Kennington added a loincloth.

As one would hope from an artist with integrity, he refused to censor or change his vision and so the work was placed above the entrance of the library where it remains today. Maybe some sort of short would possess long been helpful...

Male nudity in art had long been accepted as heroic and is found all the way back to ancient Greece. There are also works with clear homoerotic undertones in many male artists' works, from Michelangelo to Henry Scott Tuke.

However, having a woman artist creating a male nude has been something of a rarity, specially depicting any hint of genitalia. Student works by women on Art UK through the twentieth century show that even when they painted from life, the masculine types were commonly protected.

That's perhaps why Sylvia Sleigh's works are sometimes seen as shocking - even today.

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Paul Rosano Reclining 1974

Sylvia Sleigh (1916-2010)

This full-frontal, hairy unapologetically, 1970s guy is the experience not viewed throughout galleries often. The model, Paul Rosano, seems relaxed in his nakedness - he posed for Sleigh on several occasions. Sleigh's works are a forthright answer to the male gaze, subverting centuries of men looking at women. Certainly it wasn't four or five decades ago.

Are these works shocking today? The nude in art perhaps doesn't seem so provocative anymore, but can end up being liked nevertheless, and interrogated as a specific approach into searching at public mores of the over. The breaking down of barriers around what is acceptable and what is shocking has possibly been hastened by the internet. Attitudes have changed largely, in the past number of decades particularly. To the general public, not probably.

Andrew Shore, Head of Content at Art UK

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